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Guy Ben-ner (ISR) : ”Moby Dick” (2000)
 
 

Duration: 13’30”, silent
A sea adventure that starts (as all sea adventures do) with the hero sailing away and leaving his family behind pursuing an unfulfilled fantasy.
The director and his Daughter play all the roles in the shortest version possible for Herman Mellvile's Classic novel (set, again, in the family kitchen) as the director is trapped between the whiteness of the whale and the terrifying whiteness of the kitchen.

“Stealing beauty” (2008)
 

Duration: 17’00”
A boy comes home from school with a note indicating he was caught stealing money from his peer at school.
His family is put to the challenge to educate him about the meaning and border lines separating private property from its "other".
The movie starts as a TV "family sit-com", shot in IKEA "show rooms" in 3 different countries, without permission, and explores the ideas of private property, stealing and the family as a piggy bank (a social structure built in order to "keep property from leaking out").
The sitcom family is played out by a real family.
The apartment looks like a Tv set.
But if in the classical American sitcom the economy is separated from the show (the commercial brake) as the great repressed of that genre- here the price tags, in view everywhere,make the two spheres collapse into a single one.
Since we do not ask for permission to shoot the movie there, we need to find a different store-branch every time we get caught, and asked to leave, or stop the shootings.
"Being caught", than, disturbs our movie's smooth continuity, but engenders more and more kitchens or living-rooms, to take part in one scene, as a visual catalog of ideal living spaces.
In this way the director allows the IKEA staff and workers to interfere, even dictate, the editing of the movie.

 

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IMAGES

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Guy Ben-ner - Moby Dick


Guy Ben-ner - Moby Dick


Guy Ben-ner - Moby Dick


Guy Ben-ner - Moby Dick


Guy Ben-Ner – ” stealing Beauty” video still


Guy Ben-Ner – ” stealing Beauty” video still

 
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